He occupies your life with 100,000 white balloons
——— This article is authorized to reprint from cubenyc —————————
When you are occupied by 100,000 white balloons every day, when you go to work, eat, and go shopping, what expression will you look sparkling?
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Charles Petillon is probably the deepest impression that hundreds of thousands of white balloons.
The huge devices of different sizes of balloons make it like a strange creature that occupies the earth in the public space and will grow quietly by themselves. It is like a blank, multi -faceted canvas that projected the viewer’s own thoughts.
In 2015, he used 100,000 balloons to cover the market square of Covent Garden, London in a surreal “cloud”.
HeartBeat | Charles Petillon
Give 100,000 balloons and tied ropes. There must be different sizes, but also the shape group is good -looking.
First tie the balloon to the steel frame, and then adjust the entire elevable steel frame to a suitable height
One of London’s most famous public space/tourist attractions, Kofen Garden Market. When people come and go during the day, all the devices work must be completed overnight, and the next day can give the audience Charles the impact and surprise feeling
The entire device is rhythmic, as if the sunlight passes through the clouds
The space that you can eat and go shopping suddenly suddenly becomes a bit different
The deepest impression is probably the hundreds of thousands of white balloons
The work is called “HeartBeat”, heartbeat. Charles made a light -emitting device that simulates the rhythm of the heartbeat, lighting these balloons from the inside. They flashed with the light source, as if breathing.
Charles said that each balloon of different sizes has its own “personality” and is also part of a giant organ. Compared with the steel structures of the industrial era, they look fragile and have a feeling of floating hustle and bustle.
It is like a friendly, quietly watching the different space creatures of the human world. It is like a blank mirror, reflecting the collective energy of the crowds that come and go -are “our heartbeat”.
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Affected by the “LAND ART Landscape Art” movement in the 1970s, Charles Petillon most wanted to discuss the relationship between space and human.
He put the balloon into the natural environment, architecture and ruins, and used a free and light image to break the sense of constant and authoritative sense of a certain space / building. At the same time, through the environment of “invasion” and “transforming” our daily life, we turn familiar scenes and make people re -examine these ignored scenes.
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